Performers in motion
Aerial acts, lifts and acrobatics expose performers to falls or strains that ordinary spectator liability does not resolve.
Try a different word, or check the spelling.
Your tour moves performers and apparatus across venues and jurisdictions. Performer-injury arrangements need to match who employs the people on stage, while touring property and spectator liability remain different interests.
Bring the act list, rigging values and venue agreements, including any fire effects or animals actually used.

You manage a company that rehearses acts, rigs apparatus, and travels between venues to stage shows. A dropped component or an injury during a routine can halt a performance, while touring gear can be damaged in transit.
Share your act list and tour stops with The Southern Agency so we can review the people, equipment and liabilities involved. A venue's requested liability limit does not settle how an injured aerialist, borrowed apparatus or a trailer full of gear would be treated.
Aerial acts, lifts and acrobatics expose performers to falls or strains that ordinary spectator liability does not resolve.
Tents, anchors, and overhead apparatus are repeatedly installed near workers and audiences.
Lighting, costumes and equipment can be damaged or stolen in transit or at a temporary site.
The company may operate or hire vehicles to transport people and equipment between venues.
Fire effects or animal acts, where used, bring additional injury and coverage questions rather than applying to every circus.
Policies to ask about. Which ones fit depends on your operations, your contracts, and the carrier’s forms.
These hypothetical examples are not agency claim results. Whether a loss is covered depends on the facts, policy terms, and applicable exclusions.
Suppose an aerialist falls during rehearsal and needs treatment before the next tour date. Review the actual employment relationship, work locations and workers compensation arrangements. Spectator liability is not a substitute for performer injury benefits, and paying those benefits would not itself replace ticket revenue from a changed show.
Suppose a trailer collision bends the company's rigging before load-in. Inland marine terms determine whether the apparatus, route and collision damage are insured and how it is valued. Road liability for damage to another vehicle and repair of the trailer are separate from replacing the rigging.
Suppose a fitting comes loose during a show and injures a spectator. The claim may concern the production's setup, the venue's installation points or both. Review the insured acts and rigging operations, each party's duties and any applicable exclusions rather than assuming a venue certificate settles responsibility.
Start with the work you do and the questions your current policies leave unanswered. Carrier options depend on your location, risk, and underwriting. Explore our approach.
A venue may request proof of liability and particular limits; requirements differ by contract, and a certificate does not amend an exclusion for an act.
Performer injuries depend on their legal employment relationship and applicable workers compensation terms, which can vary across tour stops.
Inland marine can follow described apparatus and gear; transit limits, locations, and valuation remain important.
Vehicles carrying the show need suitable road liability; gear inside them may need separate coverage.
Effects, pyrotechnics or animals require specific review if used. Do not assume an ordinary touring form insures them.
Excess cover adds limits only over specified underlying forms and according to its own terms.
Bring your questions, current policies, and relevant contracts. An agent can review coverage terms, exclusions, and the information carriers ask for, then explain the options available to you.